RUMINATIONS
On the steps
of the museum,
I sit pondering
our times,
when Pushkin
breaks in with his
melodic language,
On the steps
of the museum,
I sit pondering
our times,
when Pushkin
breaks in with his
melodic language,
a blend of Slavonic
and vernacular Russian.
The bits of years,
that lay hidden
and closed off,
are suddenly free.
They fly up from
my lap in a powder
of everyday words
that intoxicate me.
I cry for
Eugene Onegin.
“Life is so unfair,”
I say to comfort him - and,
"You hang in the
The bits of years,
that lay hidden
and closed off,
are suddenly free.
They fly up from
my lap in a powder
of everyday words
that intoxicate me.
I cry for
Eugene Onegin.
“Life is so unfair,”
I say to comfort him - and,
"You hang in the
balance between
fiction and real life!"
Walking home
late in the afternoon,
I stop by the pond
to watch the reflections
of the swans, and not
the swans themselves.
There is something
about their reflections,
those watery
forms of expression.
I know what they are
when I see them,
but they are still unclear -
sort of like
19th century Russia.